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George Herriman

George Herriman

Cartoonist from the united states of america

OverviewStructured DataIssuesContributors

Contents

Is a
Person
Person

Person attributes

Birthdate
August 22, 1880
Birthplace
New Orleans
New Orleans
Date of Death
April 25, 1944
Place of Death
Los Angeles
Los Angeles
Author of
‌
Krazy Kat Postcard Book
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‌
The kat who walked in beauty
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Dark Horse Deluxe Journal
0
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My Sodium Poppa
0
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World Bank Atlas 1995
0
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Krazy Kat
0
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Inna Yott on the Muddy Geranium
0
Educated at
Loyola High School (Los Angeles)
Loyola High School (Los Angeles)
Occupation
Writer
Writer
0
Cartoonist
Cartoonist
‌
Comics artist
‌
Illustrator
Author
Author
0
ISNI
00000001107857940
Open Library ID
OL1123886A0
VIAF
957938510

Other attributes

Citizenship
United States
United States
Notable Work
Krazy Kat
Krazy Kat
Wikidata ID
Q453440

George Joseph Herriman III (August 22, 1880 – April 25, 1944) was an American cartoonist best known for the comic strip Krazy Kat (1913–1944). More influential than popular, Krazy Kat had an appreciative audience among those in the arts. Gilbert Seldes' article "The Krazy Kat Who Walks by Himself" was the earliest example of a critic from the high arts giving serious attention to a comic strip. The Comics Journal placed the strip first on its list of the greatest comics of the 20th century. Herriman's work has been a primary influence on cartoonists such as Will Eisner, Charles M. Schulz, Robert Crumb, Art Spiegelman, Bill Watterson, and Chris Ware.

Herriman was born in New Orleans, Louisiana, to mixed-race Creole parents, and grew up in Los Angeles. After he graduated from high school in 1897, he worked in the newspaper industry as an illustrator and engraver. He moved on to cartooning and comic strips—a medium then in its infancy—and drew a variety of strips until he introduced his most famous character, Krazy Kat, in his strip The Dingbat Family in 1910. A Krazy Kat daily strip began in 1913, and from 1916 the strip also appeared on Sundays. It was noted for its poetic, dialect-heavy dialogue; its fantastic, shifting backgrounds; and its bold, experimental page layouts.

In the strip's main motif and dynamic, Ignatz Mouse pelted Krazy with bricks, which the naïve, androgynous Kat interpreted as symbols of love. As the strip progressed, a love triangle developed between Krazy, Ignatz, and Offisa Pupp. Pupp made it his mission to prevent Ignatz from throwing bricks at Krazy, or to jail him for having done so, but his efforts were perpetually impeded because Krazy wished to be struck by Ignatz's bricks.

Herriman lived most of his life in Los Angeles, but made frequent trips to the Navajo deserts in the Southwestern United States He was drawn to the landscapes of Monument Valley and the Enchanted Mesa, and made Coconino County the location of his Krazy Kat strips. His artwork made much use of Navajo and Mexican themes and motifs against shifting desert backgrounds. He was a prolific cartoonist who produced a large number of strips and illustrated Don Marquis's books of poetry about Archy and Mehitabel, an alley cat and a cockroach. Newspaper magnate William Randolph Hearst was a proponent of Herriman and gave him a lifetime contract with King Features Syndicate, which guaranteed Herriman a comfortable living and an outlet for his work despite its lack of popularity.

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Current Employer

Patents

Further Resources

Title
Author
Link
Type
Date

"Writing Posthistorically: Krazy Kat, Maus, and the Contemporary Fiction Cartoon".

Orvell, Miles

Spring 1992

Krazy: George Herriman, A Life in Black and White.

Tisserand, Michael

2016

"The Diary of a Deluded Dandy: Baron Bean de la Mancha He Runs for Constable".

Marschall, Richard

December 1985

References

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