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Scream (1996 film)

Scream (1996 film)

1996 American slasher film

Scream is a 1996 American slasher film directed by Wes Craven and written by Kevin Williamson. The film stars David Arquette, Neve Campbell, Courteney Cox, Matthew Lillard, Rose McGowan, Skeet Ulrich, Jamie Kennedy, and Drew Barrymore. Released on December 20, it follows Sidney Prescott (Campbell), a high school student in the fictional town of Woodsboro, California, who becomes the target of a mysterious killer in a Halloween costume known as Ghostface. The film satirizes the clichés of the slasher genre popularized in films such as Halloween (1978), Friday the 13th (1980) and Craven's own A Nightmare on Elm Street (1984). Scream was considered unique at the time of its release for featuring characters aware of real-world horror films and openly discussed the clichés that the film attempted to subvert.

Inspired by the real-life case of the Gainesville Ripper, Scream was influenced by Williamson's passion for horror films, especially Halloween (1978). The screenplay, originally titled Scary Movie, was bought by Dimension Films and was retitled by the Weinstein brothers just before filming was complete. The production faced censorship issues with the Motion Picture Association of America and obstacles from locals while filming on location. The film received positive reviews and was a financial success, earning $173 million worldwide, becoming the highest-grossing slasher film until the release of Halloween (2018). It still remains the highest-grossing slasher film in adjusted dollars. It received several awards and award nominations. The soundtrack by Marco Beltrami was also acclaimed, and was cited as " of the most intriguing horror scores composed in years". The score has since earned "cult status". Scream marked a change in the genre as it cast already-established and successful actors, which was considered to have helped it find a wider audience, including a significant female viewership.

Scream was credited with revitalizing the slasher genre in the 1990s, which was considered to be almost dead following an influx of direct-to-video titles and numerous sequels to established horror franchises of the 1970s and 1980s. Scream's success spawned a series of sequels. These sequels drew decreasing financial and critical success, as they exploited clichés upon which films in the genre had become reliant. In the years following the release of Scream and its sequels, they were accused of inspiring and even inducing violent crimes and murders.

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