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12 Angry Men, 1956

12 Angry Men, 1956

12 Angry Men is a 1957 American courtroom drama film directed by Sidney Lumet, adapted from a 1954 teleplay of the same name by Reginald Rose.

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mgm.com
Is a
Creative work
Creative work

Creative Work attributes

Wikidata ID
Q2345
Directed by (Film)
Sidney Lumet
Sidney Lumet
Cinematographer of
‌
Boris Kaufman
Music by
‌
Kenyon Hopkins
Industry
Movie
Movie
Film industry
Film industry
Cinematography
Cinematography
Genre
Drama
Drama
‌
Trial film
Published Date
April 10, 1957

Other attributes

Country
United States
United States

12 Angry Men is a 1957 American courtroom drama film directed by Sidney Lumet, adapted from a 1954 teleplay of the same name by Reginald Rose.[6][7] The film tells the story of a jury of 12 men as they deliberate the conviction or acquittal of an 18-year old defendant[note 1] on the basis of reasonable doubt, forcing the jurors to question their morals and values. It stars Henry Fonda (who also produced the film with Reginald Rose), Lee J. Cobb, Ed Begley, E.G. Marshall, and Jack Warden.

12 Angry Men explores many techniques of consensus-building and the difficulties encountered in the process among this group of men whose range of personalities adds to the intensity and conflict. It also explores the power one person has to elicit change. The jury members are identified only by number; no names are revealed until an exchange of dialogue at the very end. The film forces the characters and audience to evaluate their own self-image through observing the personality, experiences, and actions of the jurors. The film is also notable for its almost exclusive use of one set, where all but three minutes of the film takes place.

The film was selected as the second-best courtroom drama ever (after 1962's To Kill a Mockingbird) by the American Film Institute for their AFI's 10 Top 10 list.[8] It is regarded by many as one of the greatest films ever made. In 2007, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant"

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