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John Constable

John Constable

English romantic painter

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Is a
Person
Person

Person attributes

Birthdate
June 11, 1776
Birthplace
East Bergholt
East Bergholt
Date of Death
March 31, 1837
Place of Death
London
London
Nationality
Author of
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The haywain, in the National Gallery, London
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The masterpieces of Constable
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L' opera completa di Constable
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Constable's oil sketches, 1809-29
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Jo hn Constable
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Constable
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Educated at
Royal Academy of Arts
Royal Academy of Arts
Occupation
Author
Author
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Painter
Painter
Writer
Writer
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ISNI
00000001227700390
Open Library ID
OL491265A0
VIAF
172657250

Other attributes

Child
Charles Golding Constable
Charles Golding Constable
Citizenship
United Kingdom
United Kingdom
Genre
Genre art
Genre art
Portrait
Portrait
Religious art
Religious art
Still life
Still life
Landscape painting
Landscape painting
Marine art
Marine art
Notable Work
Salisbury Cathedral from the Meadows
Salisbury Cathedral from the Meadows
Salisbury Cathedral from the Bishop's Grounds
Salisbury Cathedral from the Bishop's Grounds
Wikidata ID
Q159297

John Constable ( 11 June 1776 – 31 March 1837) was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".

Constable's most famous paintings include Wivenhoe Park (1816), Dedham Vale (1821) and The Hay Wain (1821). Although his paintings are now among the most popular and valuable in British art, he was never financially successful. He became a member of the establishment after he was elected to the Royal Academy of Arts at the age of 52. His work was embraced in France, where he sold more than in his native England and inspired the Barbizon school.

Early career

John Constable was born in East Bergholt, a village on the River Stour in Suffolk, to Golding and Ann (Watts) Constable. His father was a wealthy corn merchant, owner of Flatford Mill in East Bergholt and, later, Dedham Mill in Essex. Golding Constable owned a small ship, The Telegraph, which he moored at Mistley on the Stour estuary, and used to transport corn to London. He was a cousin of the London tea merchant, Abram Newman. Although Constable was his parents' second son, his older brother was intellectually disabled and John was expected to succeed his father in the business. After a brief period at a boarding school in Lavenham, he was enrolled in a day school in Dedham. Constable worked in the corn business after leaving school, but his younger brother Abram eventually took over the running of the mills.

In his youth, Constable embarked on amateur sketching trips in the surrounding Suffolk and Essex countryside, which was to become the subject of a large proportion of his art. These scenes, in his own words, "made me a painter, and I am grateful"; "the sound of water escaping from mill dams etc., willows, old rotten planks, slimy posts, and brickwork, I love such things." He was introduced to George Beaumont, a collector, who showed him his prized Hagar and the Angel by Claude Lorrain, which inspired Constable. Later, while visiting relatives in Middlesex, he was introduced to the professional artist John Thomas Smith, who advised him on painting but also urged him to remain in his father's business rather than take up art professionally.

In 1799, Constable persuaded his father to let him pursue a career in art, and Golding granted him a small allowance. Entering the Royal Academy Schools as a probationer, he attended life classes and anatomical dissections, and studied and copied old masters. Among works that particularly inspired him during this period were paintings by Thomas Gainsborough, Claude Lorrain, Peter Paul Rubens, Annibale Carracci and Jacob van Ruisdael. He also read widely among poetry and sermons, and later proved a notably articulate artist.

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