Gothic

Gothic architecture and culture in Europe that lasted from the mid-12th century to the 16th century, particularly a style of masonry building characterized by cavernous spaces with the expanse of walls broken up by overlaid tracery.

In the 12th–13th century, feats of engineering permitted increasingly gigantic buildings. The rib vault, flying buttress, and pointed (Gothic) arch were used as solutions to the problem of building a very tall structure while preserving as much natural light as possible. Stained-glass window panels rendered startling sun-dappled interior effects.

One of the earliest buildings to combine these elements into a coherent style was the abbey of Saint-Denis, Paris (c. 1135–44). The High Gothic years (c. 1250–1300), heralded by Chartres Cathedral, were dominated by France, especially with the development of the Rayonnant style. Britain, Germany, and Spain produced variations of this style, while Italian Gothic stood apart in its use of brick and marble rather than stone. Late Gothic (15th-century) architecture reached its height in Germany’s vaulted hall churches. Other late Gothic styles include the British Perpendicular style and the French and Spanish Flamboyant style.

Gothic sculpture was closely tied to architecture, since it was used primarily to decorate the exteriors of cathedrals and other religious buildings. The earliest Gothic sculptures were stone figures of saints and the Holy Family used to decorate the doorways, or portals, of cathedrals in France and elsewhere.

The sculptures on the Royal Portal of Chartres Cathedral were little changed from their Romanesque predecessors in their stiff, straight, simple, elongated, and hieratic forms. But during the later 12th and the early 13th centuries sculptures became more relaxed and naturalistic in treatment, a trend that culminated in the sculptural decorations of the Reims Cathedral. These figures, while retaining the dignity and monumentality of their predecessors, have individualized faces and figures, as well as full, flowing draperies and natural poses and gestures, and they display a classical poise that suggests an awareness of antique Roman models on the part of their creators.

Gothic painting followed the same stylistic evolution as did sculpture; from stiff, simple, hieratic forms toward more relaxed and natural ones. Its scale grew large only in the early 14th century, when it began to be used in decorating the retable (ornamental panel behind an altar). Such paintings usually featured scenes and figures from the New Testament, particularly of the Passion of Christ and the Virgin Mary. These paintings display an emphasis on flowing, curving lines, minute detail, and refined decoration, and gold was often applied to the panel as background colour.