On the impact of the character, The Paris Review stated, "arguably the most historic bump in English publishing is the Sam Weller Bump."[1] Such was the popularity of the character that William Thomas Moncrieff named his 1837 burletta Samuel Weller, or, The Pickwickians after the main comic character in the novel, rather than on Samuel Pickwick himself.[5][6][7] Merchandise based on the character appeared, such as Sam Weller puzzles, Weller boot polish and Weller joke books
Sam Weller is a fictional character in The Pickwick Papers (1836), the first novel by Charles Dickens, and the character that made Dickens famous.[1][2] A humorous Cockney bootblack,[3] Sam Weller first appeared in the fourth serialised episode.[2] Previously the monthly parts of the book had been doing badly, selling only about 1,000 copies a month — but the humour of the character transformed the book into a publishing phenomenon, raising the sales by late autumn of 1837 to 40,000 a month.
Qayyum Chowdhury (9 March 1932 - 30 November 2014) was a Bangladeshi painter. Along with Zainul Abedin, Quamrul Hassan and Safiuddin Ahmed, he is considered as a first generation artist of Bangladesh. He was awarded the Ekushey Padak in 1984 and the Independence Day Award in 2014 by the Government of Bangladesh.
Chowdhury was born on 9 March 1932 in Feni. His father, Abdul Quddus Chowdhury, came from a landlord family and was a cooperative-bank official. Because of transferring job, Chowdhury lived in Chittagong, Comilla, Narail, Sandwip, Noakhali, Feni, Faridpur and Mymensingh in his boyhood.[6] His uncles, Mohtasambillah Chowdhury and Aminul Islam Chowdhury were writers.[7] In 1949, he completed his matriculation from Mymensingh City Collegiate School.[6] He graduated from Dhaka Art College (now Faculty of Fine Arts, University of Dhaka) in 19541954|Career
Chowdhury in 2011
Chowdhury joined Dhaka Art College as a lecturer in 1957.[2] He then took a job at the newly established Design Centre to work under Quamrul Hassan. Within a year he joined the then Pakistan Observer where he served as the chief artist. He also started working for the Observer group's other publications namely Chitrali, a cine magazine and Purbadesh, a news magazine.[7] He went back to Dhaka Art College in 1965.[2] He was promoted to the position of assistant professor in 1970, to associate professor in 1986 and to professor in 1991.[6] He retired from the organization in 1994 but he kept teaching in the institute until 2002
Early life
Chowdhury was born on 9 March 1932 in Feni. His father, Abdul Quddus Chowdhury, came from a landlord family and was a cooperative-bank official. Because of transferring job, Chowdhury lived in Chittagong, Comilla, Narail, Sandwip, Noakhali, Feni, Faridpur and Mymensingh in his boyhood.[6] His uncles, Mohtasambillah Chowdhury and Aminul Islam Chowdhury were writers.[7] In 1949, he completed his matriculation from Mymensingh City Collegiate School.[6] He graduated from Dhaka Art College (now Faculty of Fine Arts, University of Dhaka) in 1954
Qayyum Chowdhury (9 March 1932 - 30 November 2014) was a Bangladeshi painter. Along with Zainul Abedin, Quamrul Hassan and Safiuddin Ahmed, he is considered as a first generation artist of Bangladesh. He was awarded the Ekushey Padak in 1984 and the Independence Day Award in 2014 by the Government of Bangladesh.
Qayyum Chowdhury (9 March 1932 – 30 November 2014)[1][2] was a Bangladeshi painter. Along with Zainul Abedin, Quamrul Hassan and Safiuddin Ahmed, he is considered as a first generation artist of Bangladesh.[3] He was awarded the Ekushey Padak in 1984 and the Independence Day Award in 2014 by the Government of Bangladesh.
Qayyum Chowdhury (9 March 1932 - 30 November 2014) was a Bangladeshi painter. Along with Zainul Abedin, Quamrul Hassan and Safiuddin Ahmed, he is considered as a first generation artist of Bangladesh. He was awarded the Ekushey Padak in 1984 and the Independence Day Award in 2014 by the Government of Bangladesh.