LordeLorde's accolades include two Grammy Awards, two Brit Awards, and a Golden Globe nomination. She appeared in Time's list of the most influential teenagers in 2013 and 2014, and the 2014 edition of Forbes 30 Under 30. In addition to her solo work, she has co-written songs for other artists, including Broods and Bleachers. As of June 2017, Lorde has sold over five million albums worldwide.
Her debut studio album Pure Heroine was released that same year to critical and commercial success. The following year, Lorde curated the soundtrack for the 2014 film The Hunger Games: Mockingjay – Part 1 and recorded several tracks, including the single "Yellow Flicker Beat". Her second studio album Melodrama (2017) received widespread critical acclaim and debuted atop the US Billboard 200, while her latest work, Solar Power (2021), entered the charts in various countries and polarized both critics and public due to its departure from Lorde's previous sound
Born in the Auckland suburb of Takapuna and raised in neighbouring Devonport, Lorde expressed interest in performing at local venues in her early teens. She signed with Universal Music Group (UMG) in 2009 and collaborated with producer Joel Little in 2011 to start recording material. Initially self-released in 2012 for free download on SoundCloud, UMG commercially released the pair's first collaborative effort, an extended play (EP) titled The Love Club, in 2013. The EP's international chart-topping single "Royals" helped Lorde rise to prominence.
Ella Marija Lani Yelich-O'Connor (born 7 November 1996), known professionally as Lorde (/lɔːrd/ LORD), is a New Zealand singer-songwriter. Taking inspiration from the British aristocracy for her stage name, she is known for employing unconventional musical styles and introspective songwriting. Lorde's music is primarily electropop and contains elements of subgenres such as dream pop and indie-electro.
Michael Tippett
Having briefly embraced communism in the 1930s, Tippett avoided identifying with any political party. A pacifist after 1940, he was imprisoned in 1943 for refusing to carry out war-related duties required by his military exemption. His initial difficulties in accepting his homosexuality led him in 1939 to Jungian psychoanalysis; the Jungian dichotomy of "shadow" and "light" remained a recurring factor in his music. He was a strong advocate of music education, and was active for much of his life as a radio broadcaster and writer on music.
Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences, including those of jazz and blues after his first visit to America in 1965, became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes in style, some believing that the quality of his work suffered as a consequence. From around 1976 Tippett's late works began to reflect the works of his youth through a return to lyricism. Although he was much honoured in his lifetime, critical judgement on Tippett's legacy has been uneven, the greatest praise being generally reserved for his earlier works. His centenary in 2005 was a muted affair; apart from the few best-known works, his music has been performed infrequently in the 21st century.
Tippett's talent developed slowly. He withdrew or destroyed his earliest compositions, and was 30 before any of his works were published. Until the mid-to-late 1950s his music was broadly lyrical in character, before changing to a more astringent and experimental style. New influences, including those of jazz and blues after his first visit to America in 1965, became increasingly evident in his compositions. While Tippett's stature with the public continued to grow, not all critics approved of these changes in style, some believing that the quality of his work suffered as a consequence.
Sir Michael Kemp Tippett OM CH CBE (2 January 1905 – 8 January 1998) was an English composer who rose to prominence during and immediately after the Second World War. In his lifetime he was sometimes ranked with his contemporary Benjamin Britten as one of the leading British composers of the 20th century. Among his best-known works are the oratorio A Child of Our Time, the orchestral Fantasia Concertante on a Theme of Corelli, and the opera The Midsummer Marriage.