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Rudolph Cartier

Rudolph Cartier

Television director

OverviewStructured DataIssuesContributors

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Is a
Person
Person

Person attributes

Birthdate
April 17, 1904
Birthplace
Vienna
Vienna
Date of Death
June 7, 1994
Place of Death
London
London
Director of (Film)
‌
The Oil Sharks
Quatermass and the Pit
Quatermass and the Pit
The Quatermass Experiment
The Quatermass Experiment
Quatermass II
Quatermass II
‌
Nineteen Eighty-Four (UK TV programme)
‌
Passionate Summer
‌
Invisible Opponent
Educated at
University of Music and Performing Arts Vienna
University of Music and Performing Arts Vienna
Occupation
Film producer
Film producer
Screenwriter
Screenwriter
‌
Television director
Film director
Film director

Other attributes

Citizenship
Austria
Austria
Wikidata ID
Q113835

Rudolph Cartier (born Rudolph Kacser, renamed himself in Germany to Rudolph Katscher; 17 April 1904 – 7 June 1994) was an Austrian television director, filmmaker, screenwriter and producer who worked predominantly in British television, exclusively for the BBC. He is best known for his 1950s collaborations with screenwriter Nigel Kneale, most notably the Quatermass serials and their 1954 adaptation of George Orwell's dystopian novel Nineteen Eighty-Four.

After studying architecture and then drama, Cartier began his career as a screenwriter and then film director in Berlin, working for UFA Studios. After a brief spell in the United States he moved to the United Kingdom in 1935. Initially failing to gain a foothold in the British film industry, he began working for BBC Television in the late 1930s (among other productions he was involved in the making of Rehearsal for a Drama, BBC 1939). The outbreak of war, however, meant that his contract was terminated; his television play The Dead Eye was stopped in the production stage.[2] After the war, he occasionally worked for British films before he was again hired by the BBC in 1952. He soon became one of the public service broadcaster's leading directors and went on to produce and direct over 120 productions in the next 24 years, ending his television career with the play Loyalties in 1976.

Active in both dramatic programming and opera, Cartier won the equivalent of a BAFTA in 1957 for his work in the former, and one of his operatic productions was given an award at the 1962 Salzburg Festival. The British Film Institute's "Screenonline" website describes him as "a true pioneer of television", while the critic Peter Black once wrote that: "Nobody was within a mile of Rudolph Cartier in the trick of making a picture on a TV screen seem as wide and as deep as CinemaScope."

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Further Resources

Title
Author
Link
Type
Date

"From Refugee to the BBC: Rudolph Cartier, Weimar Cinema and Early British Television"

Hochscherf, Tobias

2010

British Television Drama: A History

Cooke, Lez

2003

nto the Unknown: The Fantastic Life of Nigel Kneale (paperback).

Murray, Andy

2006

The Intimate Screen: Early British Television Drama (paperback).

Jacobs, Jason

2000

The Quatermass Collection—Viewing Notes (paperback).

Pixley, Andrew

2005

References

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