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Giuseppe Verdi

Giuseppe Verdi

Italian composer

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giuseppeverdi.it
Is a
Person
Person

Person attributes

Founder of
Casa di Riposo per Musicisti
Casa di Riposo per Musicisti
Birthdate
October 10, 1813
Birthplace
Le Roncole
Le Roncole
Date of Death
January 27, 1901
Place of Death
Milan
Milan
Nationality
Author of
‌
Libretti, lettere
0
‌
Un ballo in maschera =
0
‌
Verdi's opera Aïda, containing the Italian text, with an English translation and the music of all the principal airs
0
‌
Quartett, E-moll, für 2 Violinen, Viola und Violoncello
0
‌
Il corsaro
0
‌
Nabucco
0
‌
Un ballo in maschera
0
‌
Stabat Mater
0
...
Occupation
Composer
Composer
Musician
Musician
Politician
Politician
Writer
Writer
Author
Author
0
ISNI
00000001209575100
Open Library ID
OL132422A0
VIAF
223291100

Other attributes

Citizenship
Duchy of Parma
Duchy of Parma
First French Empire
First French Empire
Kingdom of Italy
Kingdom of Italy
Austrian Empire
Austrian Empire
Genre
Classical music
Classical music
Opera
Opera
Notable Work
Requiem (Verdi)
Requiem (Verdi)
Aida
Aida
La traviata
La traviata
Il trovatore
Il trovatore
Rigoletto
Rigoletto
Nabucco
Nabucco
Wikidata ID
Q7317

Giuseppe Fortunino Francesco Verdi (9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him.

In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful he was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).

His operas remain extremely popular, especially the three peaks of his 'middle period': Rigoletto, Il trovatore and La traviata. The bicentenary of his birth in 2013 was widely celebrated in broadcasts and performances.

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Patents

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