
a person who edits material in magazines
Editing is the process of selecting and preparing written, photographic, visual, audible, or cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organisation, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work.
The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods.
Editors work on producing an issue of Bild, West Berlin, 1977. Previous front pages are affixed to the wall behind them.
There are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the senior-level editorial staff and directors who report to senior executive editors. Senior executive editors are responsible for developing a product for its final release. The smaller the publication, the more these roles overlap.
The top editor at many publications may be known as the chief editor, executive editor, or simply the editor. A frequent and highly regarded contributor to a magazine may acquire the title of editor-at-large or contributing editor. Mid-level newspaper editors often manage or help to manage sections, such as business, sports and features. In U.S. newspapers, the level below the top editor is usually the managing editor.
In the book publishing industry, editors may organize anthologies and other compilations, produce definitive editions of a classic author's works (scholarly editor), and organize and manage contributions to a multi-author book (symposium editor or volume editor). Obtaining manuscripts or recruiting authors is the role of an acquisitions editor or a commissioning editor in a publishing house. Finding marketable ideas and presenting them to appropriate authors are the responsibilities of a sponsoring editor.
Copy editors correct spelling, grammar and align writings to house style. Changes to the publishing industry since the 1980s have resulted in nearly all copy editing of book manuscripts being outsourced to freelance copy editors.
At newspapers and wire services, press or copy editors write headlines and work on more substantive issues, such as ensuring accuracy, fairness, and taste. In some positions, they design pages and select news stories for inclusion. At U.K. and Australian newspapers, the term is sub-editor. They may choose the layout of the publication and communicate with the printer. These editors may have the title of layout or design editor or (more so in the past) makeup editor
A poet is a person who creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator (thinker, songwriter, writer, or author) who creates (composes) poems (oral or written), or they may also perform their art to an audience.
The work of a poet is essentially one of communication, expressing ideas either in a literal sense (such as communicating about a specific event or place) or metaphorically. Poets have existed since prehistory, in nearly all languages, and have produced works that vary greatly in different cultures and periods.Throughout each civilization and language, poets have used various styles that have changed over time, resulting in countless poets as diverse as the literature that (since the advent of writing systems) they have produced.
"The person who, through the utmost aesthetic application of words, expresses the melodious, creative, rhythmic utterances of a unique idea of one or more subjects in imagination or reality or a combination of both, and captivates the mind of the reader; he is called poet."
a person who edits material in magazines
Biography
Tvardovsky was born into a Russian family in Zagorye, in the Smolensky Uyezd of the Smolensk Governorate of the Russian Empire. At the time of his birth, the family lived on a farm that his father had purchased in installments from the Peasant Land Bank. Tvardovsky's father, the son of a landless soldier, was a blacksmith by trade. The farm was situated on poor land, but Tvardovsky's father loved it and was proud of what he had acquired through years of hard labor. He transmitted this love and pride to Aleksandr.
Tvardovsky's father was a well-read and intelligent man who often read to Aleksandr and the rest of the family. From an early age, Aleksandr became familiar with the works of Alexander Pushkin, Nikolai Gogol, Mikhail Lermontov, Nikolay Nekrasov and others. He began composing poetry while still very young. At age 13, he showed some of his poems to a young teacher who gave him misleading criticism, telling him that poetry should be written as unintelligibly as possible. His first published poem was "A New Hut", which was printed in the newspaper, Smolensk Village. After its publication, he collected his poems and showed them to the poet, Mikhail Isakovsky. Aleksandr later acknowledged Isakovsky's influence, saying that he had been the only Soviet poet who had had a beneficial effect on him.
He left the village school because of poverty after attending only four classes and devoted himself entirely to literature. At the age of 18 he went to Smolensk, but was unable to find literary work. In the winter of 1930, after visiting Moscow, he returned to his native village. During this period, he entered a Pedagogical Institute with the help of a party official, but didn't finish his studies there. He completed his education later at the Institute of History, Philosophy and Literature in Moscow. His poem The Land of Muravia was written in 1934–36 and was favorably received by the critics.This poem, along with his other early narrative poem, The Road to Socialism (1931), were products of Tvardovsky's effort to come to terms with collectivization. He was awarded the Stalin Prize for The Land of Muravia. Tvardovsky's father was accused of being a kulak during the period of collectivisation in the Soviet Union. In 1930, after Aleksandr had moved to Smolensk, his father ran away from the family home fearing arrest. In 1931, apart from Aleksandr, the whole family was deported from Zagorye. The family spent several years moving from place to place, splitting up and reuniting, looking for work and safety. Some of them spent time in labour camps. Orlando Figes describes Aleksandr's sense of uneasiness at the way his family had been treated while at the same time fearing for himself, his career and growing creative accomplishments if he was to actively help them. In August 1931, when his father and brother arrived unexpectedly in Smolensk at his work, Aleksandr called the police and his father was arrested. It is highly likely that if Tvardovsky had been seen to help his kulak father (a dangerous and criminal element in the eyes of many), he would have been arrested alongside his father. Tvardovsky acknowledged the guilt he felt about his father in his late poem, "By Right of Memory" (1968).
In 1939, he participated in the march into Western Belorussia, and also in the Winter War, where he was part of a "writers' brigade" composing patriotic verse. He joined the Communist Party of the Soviet Union in 1940 and was a war correspondent during World War II. Early in the war, he began independently working on his poem Vasili Tyorkin [fr].During the post-war years, he served as chief editor of Novy Mir, an influential literary magazine. He became the chief editor of Novy Mir in 1949. He was dismissed from his post in 1954 for publishing officially unacceptable articles by V. Pomerantsev, Fyodor Abramov and M. Shcheglov. He was made chief editor again in July 1958.
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Tvardovsky fought hard to maintain the traditional independence Novy Mir had, even against official disapproval. During his editorship, the magazine published Ilya Ehrenburg's Thaw in 1954, The Vologda Wedding by Alexander Yashin in 1962, and One Day in the Life of Ivan Denisovich by Aleksandr Solzhenitsyn in 1962.During those years, the Oktyabr' magazine, with the editor in chief Vsevolod Kochetov, was the pro-Soviet, anti-Western and anti-liberal counterpart of Tvardovsky's Novy Mir.
In 1970, Tvardovsky resigned from Novy Mir, although he was awarded the Order of the Red Banner "for services to the development of Soviet poetry" that same year and the State Prize for Literature in the year of his death, 1971, in Moscow.
Tvardovsky received the Stalin Prize (1941, 1946, 1947), the USSR State Prize (1971), and the Lenin Prize (1961) for the large poem, Distance After Distance (За далью – даль 1950–60), a collection of poetic impressions and meditations on Russian life first conceived during a trip on the Trans-Siberian Railway.